Social Impact
The Real Ambassadors was able to capture the often complicated, and sometimes contradictory politics of the State Departments tours during the Cold War Era. Addressing African and Asian nation building in addition to the U.S. civil rights struggle, it satirically portrayed the international politics of the tour. The musical also addressed the prevailing racial issues of the day, but did so within the context of witty satire. Below is an excerpt of Armstrong's opening lines to the piece "They Say I Look Like God".
They say I look like God.Could God be black? My God!
If all are made in the image of thee,
Could thou perchance a zebra be?
He's watchin' all the Earth.
He's watched us from our birth.
And if He cared if you black or white,
He'd a mixed one color, one just right.
Black or white... One just right...
Despite Iola Brubeck's intention for some of her lyrics to be light and humorous in presentation, Armstrong saw this performance as an opportunity for him to address many of the racial issues that he had struggled with for his entire career, and he made a request to sing the song straight. In one 2009 interview with Dave Brubeck, he remarked on Armstrong's seriousness: "Now, we wanted the audience to chuckle about the ridiculous segregation, but Louis was cryin'... and every time we wanted Louis to loosen up, he'd sing 'I'm really free. Thank God Almighty, I'm really free'." After years of demeaning roles in his public performances, the collaboration in The Real Ambassadors offered Armstrong material that was closer to his own sensibility and outlook.
The recording with the Iola Brubeck lyrics being presented dead seriously, with the Brubeck jazz-blues melody sung by Armstrong against the gorgeous background vocal parts Dave Brubeck had written for Lambert, Hendricks and Ross to sing, combined with Brubeck's subtle piano 'comping, was done in one take, and reportedly everyone there in the recording studio in 1961 was then crying their eyes out.
Later, at the live performance of "The Real Ambassadors" with Armstrong at the Monterey Jazz Festival in 1962, Lambert, Hendricks and Bavan put on sackcloths and hoods over their heads (they then lifted the hoods up to sing their parts) just before "They Say I Look Like God" started. Dave Brubeck still regrets not having $750 in cash on hand (which the camera crew filming at the 1962 Monterey Jazz Festival stated was the fee required to film the performance), and feels that it was a "terrible goof" that the live performance wasn't filmed.
Read more about this topic: The Real Ambassadors
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