The Razor's Edge - Influences and Critical Reception

Influences and Critical Reception

Maugham, like Hermann Hesse, was remarkably prescient, anticipating an embrace of Eastern culture by Americans and Europeans almost a decade before the Beats were to popularize it. (It should be noted that Americans had explored Eastern philosophy prior to these authors, notably in the first half of the nineteenth century by the Transcendentalists.) Maugham himself visited Sri Ramana Ashram, where he had a direct interaction with Ramana Maharshi in Tamil Nadu, India in 1938. Maugham’s suggestion that he "invented nothing" was a source of annoyance for Christopher Isherwood, who helped him translate a verse 1.3.14 from the Katha Upanishads for the novel’s epigraph - उत्तिष्ठ जाग्रत प्राप्य वरान्निबोधत | क्षुरस्य धारा निशिता दुरत्यया दुर्गं पथस्तत्कवयो वदन्ति || (uttiShTha jAgrata prApya varAn_nibodhata | kShurasya dhArA nihitA duratyayA pathas_tat_ -avayo vadanti || ) - which means "Rise, awaken, seek the wise and realize. The path is difficult to cross like the sharpened edge of the razor (knife), so say the wise." Many thought Isherwood, who had built his own literary reputation by then and was studying Indian philosophy, was the basis for the book’s hero. Isherwood went so far as to write Time magazine denying this speculation.

Read more about this topic:  The Razor's Edge

Famous quotes containing the words influences, critical and/or reception:

    However diligent she may be, however dedicated, no mother can escape the larger influences of culture, biology, fate . . . until we can actually live in a society where mothers and children genuinely matter, ours is an essentially powerless responsibility. Mothers carry out most of the work orders, but most of the rules governing our lives are shaped by outside influences.
    Mary Kay Blakely (20th century)

    I know that I will always be expected to have extra insight into black texts—especially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.
    Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)