The Raven - Analysis - Poetic Structure

Poetic Structure

The poem is made up of 18 stanzas of six lines each. Generally, the meter is trochaic octameter – eight trochaic feet per line, each foot having one stressed syllable followed by one unstressed syllable. The first line, for example (with / representing stressed syllables and x representing unstressed):

Edgar Allan Poe, however, claimed the poem was a combination of octameter acatalectic, heptameter catalectic, and tetrameter catalectic. The rhyme scheme is ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme. In every stanza, the 'B' lines rhyme with the word 'nevermore' and are catalectic, placing extra emphasis on the final syllable. The poem also makes heavy use of alliteration ("Doubting, dreaming dreams ..."). 20th century American poet Daniel Hoffman suggested that the poem's structure and meter is so formulaic that it is artificial, though its mesmeric quality overrides that.

Poe based the structure of "The Raven" on the complicated rhyme and rhythm of Elizabeth Barrett's poem "Lady Geraldine's Courtship". Poe had reviewed Barrett's work in the January 1845 issue of the Broadway Journal and said that "her poetic inspiration is the highest – we can conceive of nothing more august. Her sense of Art is pure in itself." As is typical with Poe, his review also criticizes her lack of originality and what he considers the repetitive nature of some of her poetry. About "Lady Geraldine's Courtship", he said "I have never read a poem combining so much of the fiercest passion with so much of the most delicate imagination."