Artistic Representations
During the Renaissance the subject was popular as a story symbolising the central importance of marriage for the continuity of families and cultures. It was also a rare example of a battle subject, a highly popular genre, which allowed the artist to demonstrate his virtuosity in the depiction of female as well as male figures in extreme poses, with the added advantages of a titillating sexual theme. As such it was depicted regularly on 15th-century Italian cassoni, and later in larger paintings. A comparable opportunity drawn from the New Testament was afforded by the theme of the Massacre of the Innocents.
Important treatments of the subject include:
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Famous quotes containing the word artistic:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)