Production
Originally titled The Curse, the film was scheduled to start production in 1996 with Emily Bergl in the lead, however production stalled for two years. The plot heavily borrows from a real-life 1993 incident in which a group of high school jocks known as The Spur Posse were involved in a sex scandal. In 1998, the film finally went into production under the title Carrie 2: Say You're Sorry. A few weeks into production, director Robert Mandel quit over creative differences and Katt Shea hurriedly took over the reins with less than a week to prepare to start filming, and two weeks' worth of footage to reshoot.
Amy Irving reprised the role of Sue Snell, which she originated in the first Carrie, though she was initially wary of taking the role and asked Brian De Palma, director of the original film, for his blessing. Director Shea was told that she would not be able to use footage of Sissy Spacek from the original Carrie, but she edited several scenes into the film and presented the film to Spacek, who granted permission for her likeness to be used.
Read more about this topic: The Rage: Carrie 2
Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)