Lithograph Study
Van Gogh made a lithograph study of The Potato Eaters before embarking on the painting proper. He sent impressions to his brother and later says in a letter that he made the lithograph from memory in the space of a day.
Van Gogh had first experimented with lithography in The Hague in 1882. Though he appreciated small scale graphic work and was an enthusiastic collector of English engravings he worked relatively little in graphic mediums. In a letter dated around 3 December 1882 he remarks
- I believe, though, that it would be a great mistake to imagine that such things as, for instance, the print The Grace (a family of woodcutters or peasants at table) were created at a stroke in their final form. No, in most cases the solidity and pith of the small is only obtained through much more serious study than is imagined by those who think lightly of the task of illustrating ...
- Anyway, some paintings in their huge frames look very substantial, and later one is surprised when they actually leave behind such an empty and dissatisfied feeling. On the other hand, one overlooks many an unpretentious woodcut or lithograph or etching now and then, but comes back to it and becomes more and more attached to it with time, and senses something great in it.
Read more about this topic: The Potato Eaters
Famous quotes containing the word study:
“If the study of his images
Is the study of man, this image of Saturday,
This Italian symbol, this Southern landscape, is like
A waking, as in images we awake,
Within the very object that we seek,
Participants of its being.”
—Wallace Stevens (18791955)