Characters
- Bennu of the Golden Light (played by Judson Scott), the protagonist, is an alien who possesses special abilities including physical levitation, telepathy, precognition, clairvoyance, astral projection and telekinesis. Some of these are made possible or amplified by his Phoenix Amulet, which draws power from the Sun. The planet Bennu hailed from was originally called Aurica, but this was changed to Eldebran for broadcast.
- Yago is another being from the planet Eldebran. He is evil and Bennu's primary opponent. Yago is connected to the Moon, as Bennu is to the Sun. The series bible explicitly compares Yago to Lucifer and Dracula. He wears a bracelet called "The Bells of Thon" around his right wrist, which has the power to deafen. He also carries a musical instrument called "The Black Moonball", which can alter his appearance or teleport him to another location. In the series bible Yago was named Aiwaz, presumably after the alleged being who dictated The Book of the Law to Aleister Crowley.
- Mira is another being from the planet Eldebran. 40,000 years ago she was placed on Earth as Bennu's companion, and when the series begins he is searching for her.
- Justin Preminger (played by Richard Lynch) is the recurring human antagonist of the story, a tough, cynical and relentless former P.O.W. in Vietnam turned government agent obsessed with capturing Bennu who, despite what his superiors say, he believes to be nothing more than some sort of New Age con man. He is generally only one step behind his alien quarry.
- Dr. Ward Frazier is a scientist sympathetic to Bennu and his goals.
Read more about this topic: The Phoenix (1982 TV Series)
Famous quotes containing the word characters:
“There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.”
—George Eliot [Mary Ann (or Marian)
“I make it a kind of pious rule to go to every funeral to which I am invited, both as I wish to pay a proper respect to the dead, unless their characters have been bad, and as I would wish to have the funeral of my own near relations or of myself well attended.”
—James Boswell (1740–1795)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)