Production
Rumours of a Phantom movie adaptation had first started to circulate when director Sergio Leone expressed his interest in the property in an interview. Leone had started to write a script and scout locations for his proposed film version of the Phantom, which he planned to be followed by an adaptation of Lee Falk's other comic-strip hero, Mandrake the Magician. The second project was never finalized.
Joe Dante was originally attached to direct a Phantom film for Paramount Pictures in the early 1990s, and he developed a draft of the script together with Jeffrey Boam. However, when Paramount pushed the film back a year, Dante left for other commitments, and eventually ended up being credited as one of the executive producers. Joel Schumacher was considered to direct the film, but the job was given to Simon Wincer, who had been a fan of the character since childhood.
Wincer then cast Billy Zane, who had won praise for his work as a psychopath in Dead Calm, as the Phantom. Zane, a fan of the comic strip after being introduced to it on the set of Dead Calm, won the part after competition from Bruce Campbell and Kiwi actor Kevin Smith. After his casting, he feverishly pumped iron for over a year and a half to get the right muscular look of the Phantom. He also studied the character's body language in comic strip artwork, carefully imitating it in his performance. A Batman-like costume displaying false muscles was made for him to wear; but by the time filming started, Zane did not need it.
The special Phantom costume effects were provided by Jim Henson's Creature Shop.
Read more about this topic: The Phantom (1996 Film)
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)