Production
The storyline of the 1914 The Perils of Pauline involved a young woman who inherited a million dollars from a distant relative. Her relative's personal secretary was named guardian of the funds, and would inherit if she died before she remarried. Determined to enjoy some adventures before marrying, Pauline sets off around the world—only to have her guardian, Mr. Koerner, attempt to murder her several times. The 1914 serial was so successful that Pathé followed it up with a very similar serial, The Exploits of Elaine.
In September 1930, Pathé said it would remake The Perils of Pauline. But no action was taken. Universal announced it would remake the serial in July 1932. It purchased the talking picture rights from Pathé, and the media speculated that Lucile Browne would take the title role. In March 1933, the studio said production would begin in July. The studio was actively searching for a female lead in May to develop into a star who could appear in a large number of serials.
Filming began on the serial in the middle of August 1933. Universal announced that Ray Taylor was directing, and Evalyn Knapp was starring. The original screenplay had each episode set in a different country, although this clearly changed by the time the film was finished. The young actor Hugh Enfield was originally cast in the role of Robert Warde.
Production costs for the film are not known. However, the New York Times said in 1936 that Universal usually paid $3,000 to $17,000 for a good character, gave its stars $1,000 to $5,000 per week, spent six to eight weeks shooting each serial, and spent $165,000 to $250,000 per serial.
The first episode of the serial was released on November 6, 1933.
Read more about this topic: The Perils Of Pauline (1933 Serial)
Famous quotes containing the word production:
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)