Production Notes
The screenplay originally called for only a few trick photography shots of Hayley Mills in scenes with herself; the bulk of the film was to be shot using a body double. When Walt Disney saw how seamless the processed shots were, he ordered the script reconfigured to include more of the special effect. Disney also wanted Mills to appear on camera as much as possible, knowing that she was having growth spurts during filming.
The film was shot mostly at various locales in California. The summer camp scenes were filmed at Bluff Lake Camp (owned by the Pasadena YMCA) and the family camping scenes later in the movie at Cedar Lake Camp, both in the San Bernardino Mountains near the city of Big Bear Lake in Southern California. The Monterey scenes were filmed in various California locations, including millionaire Stuyvesant Fish's 5,200 acres (21 km2) ranch in Carmel, Monterey's Pebble Beach golf course. The scenes at the Monterey house were shot at studio's Golden Oak Ranch in Placerita Canyon, where Mitch's ranch was built. It was the design of this set that proved the most popular, and to this day the Walt Disney Archives receives requests for plans of the home's interior design. Of course, there never was such a house; the set was simply various rooms built on a sound stage. Camp Inch was based on a real girls' camp called Camp Crestridge for Girls at the Ridgecrest Baptist Conference Center near Asheville, North Carolina.
Read more about this topic: The Parent Trap (1961 film)
Famous quotes containing the words production and/or notes:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“My weary limbs are scarcely stretched for repose, before red dawn peeps into my chamber window, and the birds in the whispering leaves over the roof, apprise me by their sweetest notes that another day of toil awaits me. I arise, the harness is hastily adjusted and once more I step upon the tread-mill.”
—“E. B.,” U.S. farmer. As quoted in Feminine Ingenuity, by Anne L. MacDonald (1992)