Production
The film was shot entirely on location in Murphy's, CA and Angels Camp, California. Director Robert Mulligan had hoped to shoot the film on location in Connecticut, where it takes place, but because it was autumn when the film entered production (and therefore the color of the leaves would not reflect the height of summer, when the story takes place) this idea was dropped.
This would be the only movie appearance by the twins Chris and Martin Udvarnoky, the featured stars. Mulligan never shows the brothers in frame together. They are always separated by a camera pan, or an editing cut.
John Ritter would make one of his earliest appearances in the film, as the boys' brother-in-law, Rider Gannon. Rider's young wife and the twins' sister, Torrie, is played by Jenny Sullivan.
Goldsmith's compositions for the film can be heard in a 22 minute suite found on the soundtrack album of The Mephisto Waltz. This CD was released 25 years after the release of the film. According to the liner notes of the soundtrack, over half of Goldsmith's music was removed during the film's post production. It does not specify whether this was the result of deleted footage or a decision affecting the music only.
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Famous quotes containing the word production:
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)