Novels
- Joan Lingard's children's series: The Twelfth Day of July (1970), Across the Barricades (1972), Into Exile (1973), A Proper Place (1975), and Hostage to Fortune (1976)
- Harry's Game by Gerald Seymour (1975)
- A Breed of Heroes by Alan Judd
- Cal by Bernard MacLaverty (1983)
- Maura's Angel by Lynne Reid Banks (1984)
- Ourselves Alone by Anne Devlin (1985)
- Patriot Games by Tom Clancy (1987)
- Divorcing Jack by Colin Bateman (1994)
- Cycle of Violence by Colin Bateman (1995)
- Belfast Diaries: War as a Way of Life by John Conroy (1995)
- Drink with the Devil by Jack Higgins (1996)
- Eureka Street by Robert McLiam Wilson (1996)
- Fifty Dead Men Walking by Martin McGartland (1997)
- Breakfast on Pluto by Patrick McCabe (1998)
- The Bombmaker by Stephen Leather (1999)
- The Marching Season by Daniel Silva (1999)
- Mohammed Maguire by Colin Bateman (2001)
- No Bones by Anna Burns (2001)
- Rogue Element by Terence Strong (1997).
- Stand by Stand by by Chris Ryan
- Trinity by Leon Uris (1976)
- Watchman by Ian Rankin (1988)
- The Watchman by Chris Ryan (2001)
Read more about this topic: The Northern Ireland Troubles In Popular Culture
Famous quotes containing the word novels:
“The novels are as useful as Bibles, if they teach you the secret, that the best of life is conversation, and the greatest success is confidence, or perfect understanding between sincere people.”
—Ralph Waldo Emerson (1803–1882)
“Fathers and Sons is not only the best of Turgenev’s novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm his—that character’s—absence of introspection and at the same time would not be a journalist’s dummy of the socialistic type.”
—Vladimir Nabokov (1899–1977)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)