Design
The tower was designed by Renzo Piano Building Workshop and FXFOWLE Architects, with Gensler providing interior design. The lighting design for the building's nighttime identity was designed by the Office for Visual Interaction Inc. The tower rises 748 feet (228 m) from the street to its roof, with the exterior curtain wall extending 92 feet (28 m) higher to 840 feet (260 m), and a mast rising to 1,046 feet (319 m). As of 2008, the building is tied with the Chrysler Building as the fourth tallest building in New York City, due to the unfinished One World Trade Center exceeding their height. The tower is also the seventh tallest building in the United States.
The steel-framed building, cruciform in plan, utilizes a screen of 1 5⁄8" (41.3 mm) ceramic rods mounted on the exterior of the glass curtain wall on the east, west and south facades. The rod spacing increases from the base to the top, providing greater transparency as the building rises. The steel framing and bracing is exposed at the four corner "notches" of the building.
Read more about this topic: The New York Times Building
Famous quotes containing the word design:
“For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.”
—Ralph Waldo Emerson (1803–1882)
“The reason American cars don’t sell anymore is that they have forgotten how to design the American Dream. What does it matter if you buy a car today or six months from now, because cars are not beautiful. That’s why the American auto industry is in trouble: no design, no desire.”
—Karl Lagerfeld (b. 1938)
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (1817–1862)