The Mysterious Island - Film and Television Adaptations

Film and Television Adaptations

  • 20,000 Leagues Under the Sea (1916 film): This classic American silent feature combines 20,000 Leagues Under the Sea and The Mysterious Island into a single narrative, shifting back and forth between the Nautilus and the island.
  • The Mysterious Island (1929 film): loosely based on the back-story given for Captain Nemo in the novel. It is an American all-color part-talking feature (survives only in black & white form) with talking sequences, sound effects and synchronized music. Filmed as a silent but a talking sequence was added to the beginning and brief talking sequences were integrated into the film. Directed by Lucien Hubbard with Benjamin Christensen and Maurice Tourneur.
  • Mysterious Island (1941 film): a USSR production, directed by Eduard Pentslin.
  • Mysterious Island (1951 film): directed by Spencer Gordon Bennet.
  • Mysterious Island (1961 film): directed by Cy Endfield, also known as Jules Verne's Mysterious Island, featuring special effects from Ray Harryhausen and Herbert Lom as Nemo and a score by Bernard Hermann.
  • La Isla misteriosa y el capitán Nemo (L'Île mystérieuse) (1973): directed by Juan Antonio Bardem and Henri Colpi: a TV miniseries featuring Omar Sharif as Captain Nemo.
  • Mysterious Island: a Canadian television series that ran for one season in 1995.
  • Mysterious Island (2005): a TV movie featuring Patrick Stewart as Captain Nemo which is only loosely based on the novel. Nominated for a Saturn award for best TV presentation.
  • Journey 2: The Mysterious Island: a 2012 film loosely based on the novel, directed by Brad Peyton, done as a sequel to an earlier adaptation of Verne's Journey to the Center of the Earth with The Rock taking over the lead role from Brendan Fraser.
  • Jules Verne's Mysterious Island - A 2012 cinematic adaptation loosely based on the novel made for the Syfy Channel.

Read more about this topic:  The Mysterious Island

Famous quotes containing the words film and, film and/or television:

    The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.
    Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.
    Don Delillo (b. 1926)

    There is no question but that if Jesus Christ, or a great prophet from another religion, were to come back today, he would find it virtually impossible to convince anyone of his credentials ... despite the fact that the vast evangelical machine on American television is predicated on His imminent return among us sinners.
    Peter Ustinov (b. 1921)