Content
In the tale, the Mouse (speaking of itself in the third person) explains how a cur called Fury plotted to condemn it to death by serving as both judge and jury. "The Mouse's Tale" thus fits into Carroll's recurring themes of the insane trial (found also at the end of Alice's Adventures in Wonderland, as well as in The Hunting of the Snark) and of predation (found throughout the Alice books and especially in the poems). In this poem, Carroll also takes a jab at spurious litigation (apparently criminal in this case, judging by the sentence), which may resonate with contemporary readers: “’…I’ll take no denial; We must have a trial: For really this morning I’ve nothing to do.’”
Although the Mouse claims that the "tale" will explain why he hates cats and dogs, the only villain in the poem is a dog; there is no actual explanation for the Mouse's animosity toward cats. However, Alice's Adventures Under Ground, the original version of Alice in Wonderland, contains a different poem at this point in the story (which begins, "We lived beneath the mat,/ Warm and snug and fat./ But one woe, that/ Was the cat!") which includes both cats and dogs as the enemies of the mice. That poem is also concrete poetry in the shape of a tail.
Read more about this topic: The Mouse's Tale
Famous quotes containing the word content:
“In America the taint of sectarianism lies broad upon the land. Not content with acknowledging the supremacy as the Diety, and with erecting temples in his honor, where all can bow down with reverence, the pride and vanity of human reason enter into and pollute our worship, and the houses that should be of God and for God, alone, where he is to be honored with submissive faith, are too often merely schools of metaphysical and useless distinctions. The nation is sectarian, rather than Christian.”
—James Fenimore Cooper (17891851)
“Whoever is content with the world, and who profits from its lack of justice, does not want to change it.”
—Friedrich Dürrenmatt (19211990)
“In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.”
—Susan Sontag (b. 1933)