Jonathan Richman and The Modern Lovers, 1976-1988
In early 1976, Richman put together a new version of the Modern Lovers, with Leroy Radcliffe (guitar), Greg "Curly" Keranen (bass) and the returning David Robinson (drums). Keranen had previously played with The Rubinoos, and Radcliffe with Woody's Truckstop. They recorded the album Jonathan Richman & the Modern Lovers (1976), but Robinson again left after Richman persisted in reducing the size and volume of his drum kit, and was replaced by D. Sharpe. This band recorded the album Rock 'N' Roll with the Modern Lovers (1977) and toured until Keranen left to go to college and was replaced by Asa Brebner, who played on the albums Modern Lovers Live (1978) and Back in Your Life (1979).
In 1980 Richman again formed a new Modern Lovers, with Keranen, drummer Michael Guardabascio and backing singers Ellie Marshall and Beth Harrington. They recorded the album Jonathan Sings! in 1981/82, but it was not released until 1983. The group toured to support the album, often regarded as one of Richman’s best, but split up after Keranen again left in 1984.
The final version of the Modern Lovers, with Andy Paley, Brennan Totten and (initially) Asa Brebner again, toured and recorded between 1985 and 1988. Richman finally retired the Modern Lovers name after the album Modern Lovers 88.
Richman continues to perform, often solo and preferring acoustic instruments, and currently has no plans to undertake another group like his original band. A tribute album consisting primarily of Modern Lovers songs, If I Were a Richman: a Tribute to the Music of Jonathan Richman, was released by Wampus Multimedia in 2001.
Read more about this topic: The Modern Lovers
Famous quotes containing the words jonathan and/or modern:
“Their school a crowd, his master solitude;
Through Jonathan Swift’s dark grove he passed, and there
Plucked bitter wisdom that enriched his blood.”
—William Butler Yeats (1865–1939)
“The critical method which denies literary modernity would appear—and even, in certain respects, would be—the most modern of critical movements.”
—Paul Deman (1919–1983)