The Mists of Avalon - Literary Significance and Criticism

Literary Significance and Criticism

The Mists of Avalon is lauded as one of the most original and emotional retellings of the familiar Arthurian legend. Bradley received much praise for convincing portrayal of the main protagonists, her respectful handling of the Pagan ways of Avalon and for telling a story in which there is neither black and white or good and evil, but several truths. Isaac Asimov called it "the best retelling of the Arthurian Saga I have ever read", and Jean Auel noted "I loved this book so much I went out and bought it for a friend, and have told many people about it." The Encyclopedia of Science Fiction calls the book "a convincing revision of the Arthurian cycle," and said that the victory of Christianity over the "sane but dying paganism" of Avalon "ensures eons of repression for women and the vital principles they espouse." It won the 1984 Locus Award for Best Fantasy Novel and spent four months on the New York Times best seller list in hardcover. The trade paperback edition of Mists of Avalon has ranked among the top five trade paperbacks on the monthly Locus bestseller lists for almost four years.

The Spirituality of Avalon discusses the religious aspects of the Avalon series and gives essential insights into a modern Western understanding of spirituality and its construction in epic fantasy fiction.

Read more about this topic:  The Mists Of Avalon

Famous quotes containing the words literary, significance and/or criticism:

    ... my last work is no sooner on the stands than letters come, suggesting a subject. The grandmothers of strangers are crying from the grave, it seems, for literary recognition; it is bewildering, the number of salty grandfathers, aunts and uncles that languish unappreciated.
    Catherine Drinker Bowen (1897–1973)

    Of what significance the light of day, if it is not the reflection of an inward dawn?—to what purpose is the veil of night withdrawn, if the morning reveals nothing to the soul? It is merely garish and glaring.
    Henry David Thoreau (1817–1862)

    Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
    Octavio Paz (b. 1914)