Plot
In 1848 New York, a young Frenchwoman, Madeline Minot (Leslie Caron), arrives, looking for expatriate Charles Thevenet (Louis Calhern). She is initially turned away at the door by his mistress and housekeeper, Lorna Bounty (Barbara Stanwyck), but persists and presents Thevenet with a letter of introduction from his only grandson, Paul, a romantic revolutionary with whom Madeline is in love.
Thevenet, a wealthy, old, dissipated rake, correctly guesses Madeline's purpose in visiting him; she has been sent by Paul to ask him for money to support the revolution in France. Lorna, assisted by hulking butler Martin (Joe De Santis) and cook Mrs. Flynn (Margaret Wycherly) are also after Thevenet's fortune, having waited for the old man to die for ten years. To that end, the trio let Thevenet drink as much as he wants, contrary to the instructions of Dr. Roland (Nicholas Joy), and replace some prescribed medicine.
Madeline has one ally, Dupin (Joseph Cotten), an impecunious, heavy-drinking poet (to whom the film's title refers). A chance acquaintance, she turns to him when she suspects the medicine has been poisoned. They take it to a pharmacist, who finds it to be sugar water. Dupin becomes acquainted with Lorna and recognizes her as a former actress who achieved fame with Thevenet's backing.
During her stay in Thevenet's townhouse, Madeline softens the old reprobate's heart. He summons his lawyer, Durand (Richard Hale), and changes his will. Then he secretly puts arsenic in his drink, ready to end his life. However, he suffers a stroke that paralyzes him, leaving him only partial control of his face. He watches helplessly as Durand drinks the fatal brandy. The will is then snatched up by Thevenet's pet raven and hidden in the fireplace. Before the old man dies, he tries to pass along to Dupin the location of the will solely with his eyes.
Lorna guesses that there is a new will and its contents. After the funeral, she and her accomplices search desperately for it without success. Dupin is more perceptive; from the clues, he finds and retrieves the document, though he has to fight Martin off to escape the house alive. When the will is read, it reveals that Paul does inherit the money; Lorna, Martin and Mrs. Flynn are left only the house.
At the end of the film, Madeline goes looking for Dupin to thank him. Dupin's generous bartender Flaherty (Jim Backus) tells her he has gone, leaving only a seemingly worthless IOU for his sizable bar bill. On one side is a draft of a verse about a woman named Annabel Lee, and on the other, the IOU's signature, which reveals Dupin's real name: Edgar Allan Poe.
Read more about this topic: The Man With A Cloak
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The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
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—John Dryden (1631–1700)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
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