Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Robert Christgau | (B) |
Critical retrospectives on the album are generally positive. Allmusic was overwhelmingly approving in its assessment, praising the variety brought by the non-Winwood/Capaldi compositions and the power of the lengthy title track, and claiming the album "marked the commercial and artistic apex of the second coming of Traffic". In addition, Robert Christgau commented on the band's growth from previous efforts, stating that while the group is "devoid of intellectual thrust," they're "onto something," and "when it works, it suggests a nice paradox--relaxed and exciting at the same time." Pop Matters offered yet another viewpoint, calling it "an album that’s easy to listen to over and over, but one that seldom shows up on “best of” lists." It commented that most of the songs are highly understated and require multiple listens to appreciate.
Read more about this topic: The Low Spark Of High Heeled Boys
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
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“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)