Production
Actor Geoffrey Rush stated in interviews that the film was itself structured to be reminiscent of a Peter Sellers film. However, it was darker than Sellers' actual films since it depicted Sellers' troubled experiences in his life (including his tantrums and mental instability). This included at various times Rush (as Sellers) dressing up to play other characters in his life (several were ultimately edited out, but are included within the special features on the DVD). In these instances he broke the fourth wall to give a monologue to the audience.
Roger Lewis: "It was the melancholia of Sellers I was drawn to; all those shuffling little ghostly figures he used to play in Boulting brothers films, or Clouseau, with those soulful, mournful brown eyes. For all the success and the women, he is rather a lonely and melancholic figure. And that is what redeems him." Hollywood was immediately interested in adapting Lewis's biography - in the mid-1990s Madonna's company Maverick bought the rights, but the Sellers project did not get off the ground. Many different writers worked on the screenplay, among them Lee Hall; eventually the writers Christopher Markus and Stephen McFeely came up with a script to tell the story. Director Stephen Hopkins ultimately distanced himself from Lewis's book, and said he was inspired by Sellers's 16mm home movies, which were featured in a 2002 BBC Arena documentary.
Read more about this topic: The Life And Death Of Peter Sellers
Famous quotes containing the word production:
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)