The Law of Remains is a 1991 play by Los Angeles-based Iranian playwright, director and filmmaker Reza Abdoh. The play, initially staged in a New York City hotel, was described in A Companion to Twentieth-Century American Drama as "an apocalyptic fantasia". In its 1992 review, The New York Times characterized it as "one of the angriest theater pieces ever hurled at a New York audience".
The seven-scene play focuses on violence and its social impacts, through the use of Andy Warhol’s aesthetics, incorporating police reports on the murders of Jeffrey Dahmer in exploring the deeds of fictionalized killer "Jeffrey Snarling". It uses Dahmer's crime, particularly against an adolescent Laotian who almost escaped Dahmer until police presumed the conflict was a dispute between gay lovers, to create a metaphor for "governmental indifference to the AIDS crisis". Anita Durst, an actress and disciple of Abdoh who procured the location, summarized the play as "Andy Warhol and Jeffrey Dahmer meet in Heaven". The play is a non-linear multi-media presentation, adding to traditional dramatic structure a soundtrack of "death, sex and violence" and "raucous" imagery, both live and electronic.
Eugene Lang College The New School for Liberal Arts' undergraduate senior theatre thesis group staged a reinterpretation of The Law of Remains in May 2011 at La Mama E.T.C in New York City.
Famous quotes containing the words law and/or remains:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“... in any war a victory means another war, and yet another, until some day inevitably the tides turn, and the victor is the vanquished, and the circle reverses itself, but remains nevertheless a circle.”
—Pearl S. Buck (1892–1973)