The Law of Remains is a 1991 play by Los Angeles-based Iranian playwright, director and filmmaker Reza Abdoh. The play, initially staged in a New York City hotel, was described in A Companion to Twentieth-Century American Drama as "an apocalyptic fantasia". In its 1992 review, The New York Times characterized it as "one of the angriest theater pieces ever hurled at a New York audience".
The seven-scene play focuses on violence and its social impacts, through the use of Andy Warhol’s aesthetics, incorporating police reports on the murders of Jeffrey Dahmer in exploring the deeds of fictionalized killer "Jeffrey Snarling". It uses Dahmer's crime, particularly against an adolescent Laotian who almost escaped Dahmer until police presumed the conflict was a dispute between gay lovers, to create a metaphor for "governmental indifference to the AIDS crisis". Anita Durst, an actress and disciple of Abdoh who procured the location, summarized the play as "Andy Warhol and Jeffrey Dahmer meet in Heaven". The play is a non-linear multi-media presentation, adding to traditional dramatic structure a soundtrack of "death, sex and violence" and "raucous" imagery, both live and electronic.
Eugene Lang College The New School for Liberal Arts' undergraduate senior theatre thesis group staged a reinterpretation of The Law of Remains in May 2011 at La Mama E.T.C in New York City.
Famous quotes containing the words the law, law and/or remains:
“Here, lads, we live by the law of the taiga. But even here people manage to live. D’you know who are the ones the camps finish off? Those who lick other men’s left-overs, those who set store by the doctors, and those who peach on their mates.”
—Alexander Solzhenitsyn (b. 1918)
“Laws can be wrong and laws can be cruel. And the people who live only by the law are both wrong and cruel.”
—Ardel Wray. Mark Robson. Thea (Ellen Drew)
“The people of Western Europe are facing this summer a series of tragic dilemmas. Of the hopes that dazzled the last twenty years that some political movement might tend to the betterment of the human lot, little remains above ground but the tattered slogans of the past.”
—John Dos Passos (1896–1970)