Production
In the DVD commentary for The Simpsons' ninth season, writer Donick Cary stated that the inspiration for the idea of an episode about stand-up comedy came out of comedy festivals at the time. Executive producer Mike Scully said that the writers had difficulty getting Krusty's offensive bad jokes through the network censors. The stereotypical jokes were allowed because the writers convinced the network censors that viewers would understand it was simply emphasizing Krusty's dated comedic material. Before the scene where Jay Leno and Bart wash Krusty's hair in the bathtub, there was going to be a scene where Bart sought out Leno for help. The writing staff thought viewers would understand if Leno simply appeared helping Krusty, without this intermediate scene.
Mike B. Anderson stated that at least three different acts of material were written and animated for Krusty's comeback stand-up appearance at Moe's Tavern. It was not until the editing process that the material used was decided upon. The episode was still being animated three weeks before it was due to air and the production process moved frantically shortly before completion. The Canyonero sequence was originally planned to be displayed during the closing credits. The production team liked the scene so much that they did not want it to be obscured by the credits and gave it its own segment at the end of the episode.
Read more about this topic: The Last Temptation Of Krust
Famous quotes containing the word production:
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)