The Last Detail - Production

Production

Producer Gerry Ayres had bought the rights to Darryl Ponicsan's novel in 1969. After returning from the set of Drive, He Said, Robert Towne began adapting the novel. The screenwriter tailored the script for close friends Jack Nicholson and Rupert Crosse. In adapting the novel, Towne removed Buddusky's "closet intellectualism and his beautiful wife". The screenwriter also changed the ending so that Buddusky lives instead of dying as he does in the book. Ayres convinced Columbia Pictures to produce the film based on his consultant's credit on Bonnie & Clyde but had difficulty getting it made because of the studio's concern about the bad language in Townes's script. Peter Guber recalls, "The first seven minutes, there were 342 'fucks'". The head of Columbia asked Towne to reduce the number of curse words to which the writer responded, "This is the way people talk when they're powerless to act; they bitch". Towne refused to tone down the language and the project remained in limbo until Nicholson, by then a bankable star, got involved.

Ayres sent the script to Robert Altman and then Hal Ashby. Ayres remembers, "I thought that this was a picture that required a skewed perspective, and that's what Hal had". Ashby was coming off the disappointing commercial and critical failure of Harold and Maude and was in pre-production on Three Cornered Circle at MGM when Jack Nicholson told him about The Last Detail, his upcoming film at Columbia. The director had actually been sent the script in the fall of 1971 and the reader's report called it "lengthy and unimaginative", but he now he found it very appealing. He wanted to do it but it conflicted with his schedule for Three Cornered Circle. However Ashby pulled out of his deal with MGM and Nicholson suggested that they team up on Last Detail. Columbia did not like Ashby because he had a reputation of distrusting authority and made little effort to communicate with executives. The budget was low enough, at $2.6 million, for him to get approved.

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Famous quotes containing the word production:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
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