Text
It is most likely that the play was written for the child actors at Blackfriars Theatre, where John Marston had previously had plays produced. In addition to the textual history testifying to a Blackfriars origin, there are multiple references within the text to Marston, to the actors as children (notably from the Citizen's Wife, who seems to recognize the actors from their school), and other indications that the performance took place in a house known for biting satire and sexual double entendre. Blackfriars specialized in satire, according to Andrew Gurr (quoted in Hattaway, ix), and Michael Hattaway suggests that the dissonance of the youth of the players and the gravity of their roles combined with the multiple internal references to holiday revels because the play had a Shrovetide or midsummer's day first production (Hattaway xxi and xiii). The play is certainly carnivalesque, but the date of the first performance is purely speculative. The second quarto publication came in 1635, with a third the same year. The play was omitted from the first Beaumont and Fletcher folio of 1647 but included in the second folio of 1679. The play was later widely thought to be the joint work of Beaumont and Fletcher.
Read more about this topic: The Knight Of The Burning Pestle
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“Don Pedro. But when shall we set the savage bull’s horns on the sensible Benedick’s head?
Claudio. Yes, and text underneath, “Here dwells Benedick, the married man?””
—William Shakespeare (1564–1616)
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—Walter Benjamin (1892–1940)
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