The Joy Luck Club - Criticism

Criticism

Though Amy Tan's book has been widely praised by critics, it has also been alleged by Chinese-American author Frank Chin that it perpetuates racist stereotypes and contains fabricated "traditional" stories. Chinese-American director Wayne Wang was impressed with the story and created a film version of the novel.

Many critics have asserted that although the characters in The Joy Luck Club are Chinese-American, their struggles have a strong resonance for all people, especially women raised in America. Reviewers have studied the novel from a variety of angles and have generally agreed that the book presents a poignant, insightful examination of not only the generation gap between mothers and daughters, but of the gaps between different cultures as well. Critics have argued that the book works as an exploration of the issues that are vital to all immigrants in America—including ethnicity, gender, and personal identity. Some reviewers have identified the mother-daughter relationships in the book as part of a growing tradition of matrilineal discourse that is becoming ever more popular in America. Others have lauded the multiple perspectives presented in the novel, citing the work's multiple viewpoints as a unique strength that invites analysis on several levels. One critic has even analyzed the fable-like qualities of The Joy Luck Club, interpreting it as a modern-day fairy tale. Although several reviewers have argued that the novel presents stereotypical portrayals of China and of Chinese people, many critics feel that it addresses important universal issues and themes—common to all, despite their age, race, or nationality.

Read more about this topic:  The Joy Luck Club

Famous quotes containing the word criticism:

    In criticism I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me.
    Edgar Allan Poe (1809–1845)

    It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesn’t know the wealthy woman who fulminates against the “idle” workers who just won’t get out and hunt jobs?
    Mary Barnett Gilson (1877–?)

    Of all the cants which are canted in this canting world—though the cant of hypocrites may be the worst—the cant of criticism is the most tormenting!
    Laurence Sterne (1713–1768)