The Ink Spots were a vocal group in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They and the Mills Brothers, another black vocal group of the same period, gained much acceptance in both the white community and black community. They were inducted into the vocal group hall of fame in 1999.
Their songs usually began with a guitar riff, followed by the tenor Bill Kenny, who sang the whole song through. After Kenny finished singing, the bass would either recite the first half, or the bridge of the song, or would speak the words, almost in a free form, that were not part of the song, commonly using the words "Honey Child", or "Honey Babe", expressing his love for his darling in the song. This was followed by Kenny, who finished up singing the last refrain or the last half of the song. On some songs Deek Watson would sing the lead rather than Bill Kenny. This was mostly on the uptempo "Jive" songs.
Read more about The Ink Spots: 1930's, Splintering, Legitimate Members of The Ink Spots, The Ink Spots in Popular Culture, Hit Records, Sample
Famous quotes containing the words ink and/or spots:
“Language has not the power to speak what love indites:
The Soul lies buried in the ink that writes.”
—John Clare (17931864)
“Nobody dast blame this man.... For a salesman, there is no rock bottom to the life. He dont put a bolt to a nut, he dont tell you the law or give you medicine. Hes a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling backthats an earthquake. And then you get yourself a couple of spots on your hat, and youre finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory.”
—Arthur Miller (b. 1915)