The Incredible Melting Man is a 1977 American science fiction horror film about an astronaut whose body begins to melt after he is exposed to radiation during a space flight to Saturn, driving him to commit murders and consume human flesh to survive. Written and directed by William Sachs, the film starred Alex Rebar as Steve West, the antagonist of the title, alongside Burr DeBenning as a scientist trying to help him, and Myron Healey as a United States Air Force general seeking to capture him.
The screenplay was originally intended as a parody of horror films, but comedic scenes were edited out during production and new horror scenes added. Sachs claims that the producers decided during shooting that a straight horror film would be more financially successful, and that the film suffered as a result. The Incredible Melting Man was produced by American International Pictures, which also handled the theatrical distribution. The film includes several homages to science fiction and horror films of the 1950s. Makeup artist Rick Baker provided the gory makeup effects for the film. He originally created four distinct stages of makeup design so the antagonist would appear to gradually melt, but the stages were ultimately cut from the final film.
The film received largely negative reviews and has ranked among the Bottom 100 list of films on the Internet Movie Database, although even critical reviews complimented Baker's makeup effects. The Incredible Melting Man was featured in the comedy It Came from Hollywood (1982) and inspired the makeup effects for a scene in the science fiction-action film RoboCop (1987). It also featured in a seventh season episode of the comedy television series Mystery Science Theater 3000.
Read more about The Incredible Melting Man: Plot, Cultural References
Famous quotes containing the words incredible, melting and/or man:
“Ladies and gentlemen, I have a grave announcement to make. Incredible as it may seem, strange beings who landed in New Jersey tonight are the vanguard of an invading army from Mars.”
—Orson Welles (1915–1984)
“Of course I’m a black writer.... I’m not just a black writer, but categories like black writer, woman writer and Latin American writer aren’t marginal anymore. We have to acknowledge that the thing we call “literature” is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hassidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.”
—Toni Morrison (b. 1931)
“There was an old man with a beard,
who said, “It is just as I feared!—
Two owls and a hen, four larks and a wren,
Have all built their nests in my beard!””
—Edward Lear (1812–1888)