The Incredible Crash Dummies - Main Features

Main Features

The Crash Dummies are anthropomorphic action figures modeled after the mannequins used in automobile collision simulations. Each one generally has two "impact buttons" on their torsos that, when pushed, will spring their limbs from their bodies.

The toys mostly focused on a single body type, which featured two chest buttons- the top button caused the head and arms to separate, and the bottom button forced the legs to come off. Each arm and leg could also be separated further. This body type did have problems, however, in that the small metal clips inside the bodies which held the limbs on would sometimes break. Further, the tabs which held the limbs on the bodies were made from an unreliable plastic and, thus, were prone to breakage. Other bodies, however, focused on character-specific features and, while retaining the removable limbs (each would pull off at the midpoint), the button would activate some other feature (i.e. Daryl's spinning head, Spare Tire's "bug-out" eyes, ears, and tongue).

A set of vehicles was also released which could then be used to simulate the car crashes as seen in the ads of the original crash test dummies. Among others, these vehicles include cars, jeeps, motorcycles and even aeroplanes. Each toy can be destroyed in a similar manner as the Crash Dummies themselves and can then later be reassembled. Vehicles come equipped with appropriate safety features such as helmets, airbags, and working seatbelts to promote saving lives through their use.

Read more about this topic:  The Incredible Crash Dummies

Famous quotes containing the words main and/or features:

    Whoever considers morality the main objective of human existence, seems to me like a person who defines the purpose of a clock as not going wrong. The first objective for a clock, is, however, that it does run; not going wrong is an additional regulative function. If not a watch’s greatest accomplishment were not going wrong, unwound watches might be the best.
    Franz Grillparzer (1791–1872)

    The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.
    Marcel Proust (1871–1922)