Structure
The poem has some aspects characteristic of much of Carroll's poetry: it utilizes technically adept meter and rhyme, grammatically correct phrasing, logical chains of events—and largely nonsensical content, frequently employing made-up words such as "Snark". It is by far his longest poem; unlike Alice, which is prose with occasional poems within the text, the Snark rhymes from start to end. The poem is divided into eight sections or "fits" (a pun on fit, meaning a part of a song, and fit, meaning a seizure or convulsion—hence, "An Agony in 8 Fits"):
- The Landing
- The Bellman's Speech
- The Baker's Tale
- The Hunting
- The Beaver's Lesson
- The Barrister's Dream
- The Banker's Fate
- The Vanishing
Read more about this topic: The Hunting Of The Snark
Famous quotes containing the word structure:
“... the structure of our public morality crashed to earth. Above its grave a tombstone read, “Be tolerant—even of evil.” Logically the next step would be to say to our commonwealth’s criminals, “I disagree that it’s all right to rob and murder, but naturally I respect your opinion.” Tolerance is only complacence when it makes no distinction between right and wrong.”
—Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 2, ch. 2 (1962)
“Man is more disposed to domination than freedom; and a structure of dominion not only gladdens the eye of the master who rears and protects it, but even its servants are uplifted by the thought that they are members of a whole, which rises high above the life and strength of single generations.”
—Karl Wilhelm Von Humboldt (1767–1835)
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (1886–1965)