"The Hearts Filthy Lesson" is a song by David Bowie, from his 1995 album Outside, and issued as a single ahead of the album. It showcased Bowie's new, industrial-influenced sound. The lack of an apostrophe in the title is deliberate. Lyrically, the single connects with the rest of the album, with Bowie offering a lament to "tyrannical futurist" Ramona A. Stone, a theme continued in subsequent songs. The song is also meant to confront Bowie's own perceptions about the ritual creation and degradation of art.
Critical reception to the song was generally tepid, though it would be re-evaluated by many critics when heard in the context of the Outside soon afterwards. Considering its defiantly noncommercial sound, the song did well to reach UK #35, also breaking Bowie's US chart drought (which stretched back to "Never Let Me Down" in 1987) by briefly peaking at US #92.
An immediate favourite at Bowie's live concerts, "The Hearts Filthy Lesson" had its cult status sealed when it was featured over the closing titles of David Fincher's 1995 film Seven, a film which mirrored the video's grimy visuals.
The single contained an "Alt. Mix" remixed by Trent Reznor and Dave Ogilvie with Chris Vrenna.
Read more about The Hearts Filthy Lesson: Video, Track Listing, Production Credits, Live Versions, Other Releases
Famous quotes containing the words hearts, filthy and/or lesson:
“We sail across dominions barely seen, washed by the swells of time. We plow through fields of magnetism. Past and future come together on thunderheads and our dead hearts live with lightning in the wounds of the Gods.”
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“Fair is foul, and foul is fair,
Hover through the fog and filthy air.”
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“So let us love, dear Love, like as we ought;
Love is the lesson which the Lord us taught.”
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