Plot
Eleanor “Nell” Vance (Lili Taylor) has cared for her invalid mother for 11 years. After her mother dies, her sister (Virginia Madsen) evicts her. Nell receives a phone call about an insomnia study, directed by Dr. David Marrow (Liam Neeson) at Hill House, a secluded manor in the Berkshires of western Massachusetts, and applies for it. At the house, she meets Mr. and Mrs. Dudley (Bruce Dern, Marian Seldes), a strange pair of caretakers. Two other participants arrive, Luke Sanderson (Owen Wilson), and Theodora (Catherine Zeta-Jones), along with Dr. Marrow and his two research assistants.
Unknown to the participants, Dr. Marrow’s true purpose is to study the psychological response to fear, intending to expose his subjects to increasing amounts of terror. Each night, the caretakers chain the gate outside Hill House, preventing anyone from getting in or out until morning. During their first night, Dr. Marrow relates the story of Hill House. The house was built by Hugh Crain (Charles Gunning) — a 19th century textile tycoon. Crain built the house for his wife, hoping to populate it with a large family of children; however, all of Crain’s children died during birth. Crain’s wife died before the house was finished, and Crain became a recluse. After the story, Marrow's assistant’s face is slashed by a snapped clavichord wire. The freak accident causes Marrow’s research assistants to leave.
Theo and Nell begin to experience strange phenomena within the house. Nell sees apparitions, but the others don't believe her. Hugh Crain's wood portrait morphs into a skeletal face and is vandalized with the words "Welcome Home Eleanor" written in blood. Nell becomes determined to prove that the house is haunted by the souls of people victimized by Crain's cruelty. She learns that Crain took children from his mills and murdered them, then burned the bodies in the fireplace, trapping their spirits and forcing them to remain with him, providing him with an 'eternal family'. She also learns that Crain had a second wife named Carolyn, from whom she is descended.
After several more terrifying events, Nell insists that she cannot leave the souls of the children to suffer for eternity at Crain's hands. Trying to convince the obviously mentally-unbalanced Eleanor to leave the house with them, Theo offers to let Nell move in with her, but Nell reveals her relation to Carolyn and claims she must help the children "pass on". Hugh Crain's spirit seals up the house, trapping them all inside. A frustrated Luke defaces a portrait of Hugh Crain. Crain's enraged spirit drags Luke to the fireplace where he is decapitated. Nell is able to lead Crain's spirit towards an iron door. Avenging spirits pull Crain into the door, dragging him down to Hell. Nell is pulled with him, inflicting fatal trauma on her body, but the spirits gently release her on the ground. Her soul rises up to Heaven, accompanied by the ghosts of Crain's victims. After Nell's death, Theo and Dr. Marrow wait by the gate outside till the Dudleys come in the morning.
The Dudleys approach as the sun rises. Mr. Dudley asks Dr. Marrow if he found what he wanted to know, but the traumatized psychiatrist does not give an answer, and neither does Theo. When the gate opens, the two silently walk out and down the road, leaving Hill House behind them.
Read more about this topic: The Haunting (1999 film)
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)