Production
The mansion scenes were filmed at Sable Ranch in Santa Clarita, California. The main building was constructed over a period of weeks while the cupola and chimneys on the top of the mansion were computer generated. The paperboy in the opening scene is the nephew of the director, Rob Minkoff. A Hidden Mickey is briefly seen when Ramsley pours the poison in the goblet of wine during the wedding.
The costume and special effects designers wanted the ghost characters to become "more dead" the farther they were from the mansion. Note that while Ezra and Emma look human in the house, their leaving it causes them to become blue and transparent. The zombies in the mausoleum are the "deadest", as they are farthest away.
This was the first movie to air on Disney Channel to contain any profanity beyond "Hell" or "Damn" for years. It also aired the phrase "Big ass termites!", which was stated by Murphy. In addition, the scene where Edward hangs himself is usually cut from the broadcasts.
The design of the mansion is loosely based on Disneyland's version of The Haunted Mansion while the iron/glass conservatory was based on Walt Disney World's version of the ride.
In the opening scene of the film, Nathaniel Parker had great difficulty trying to carry Elizabeth up the staircase, which is shown on the expressions of his face. This was due to her slippery silk dress.
Read more about this topic: The Haunted Mansion (film)
Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)