Plot
A small plane carrying three British citizens — Major Crespin, his estranged wife Lucilla, and pilot Dr. Traherne — becomes lost and is forced to crash land in the tiny realm of Rukh, somewhere near the Himalaya Mountains. The Raja who rules the land welcomes them.
However, as his three brothers are soon to be executed for murder by the British, his subjects believe that their Green Goddess has delivered into their hands three victims for their revenge. The three are to be killed once the brothers are dead. The Raja professes to his guests no great love for his brothers, as they had posed a danger to the succession of his own children, but sees no reason to anger his people. However, he becomes attracted to Lucilla and offers to spare her life if she will become his wife. She refuses.
The prisoners become aware that the Raja has a telegraph, operated by the Raja's renegade British exile and chief assistant, Watkins. Hoping to send for help, they try to bribe Watkins, but when they realize he is only leading them on, they throw him off the balcony to his death. Major Crespin manages to send a message before the Raja's men break into the room. The Raja personally shoots Crespin in the back, killing him in mid-transmission.
The next day, Traherne and Lucilla are taken to the temple of the Green Goddess. Once more, the Raja renews his offer to Lucilla, but is again turned down. Given a moment alone, Traherne and Lucilla confess their love for each other. Then, in the nick of time, six British biplanes appear in the skies over Rukh. Lt. Cardew lands and demands the release of the couple. The Raja gives in.
Read more about this topic: The Green Goddess (1930 film)
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)