The Greatest Songs of the Fifties is an album by veteran American singer Barry Manilow, released in the United States on January 31, 2006. A significant album for Barry Manilow, it finds the Brooklyn-born crooner taking on songs that were popular in his youth. The project also marked Manilow's return to his former label, Arista, with the company's founder, Clive Davis, setting the singer up with 1950s pop classics much in the way that the savvy businessman steered Rod Stewart in the direction of jazzy standards in his successful The Great American Songbook project. The album was an amazing hit in the United States. It entered the Billboard 200 at No. 1, giving him the second chart-topping album of his career. His only other No. 1 album was Barry Manilow Live, in 1977. This is also the highest-debuting album of his career, selling over 150,000 copies in its opening week and besting the No. 3 opening of Ultimate Manilow in 2002.
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Famous quotes containing the words greatest, songs and/or fifties:
“The necessary has never been man’s top priority. The passionate pursuit of the nonessential and the extravagant is one of the chief traits of human uniqueness. Unlike other forms of life, man’s greatest exertions are made in the pursuit not of necessities but of superfluities.”
—Eric Hoffer (1902–1983)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)
“That, of course, was the thing about the fifties with all their patina of familial bliss: A lot of the memories were not happy, not mine, not my friends’. That’s probably why the myth so endures, because of the dissonance in our lives between what actually went on at home and what went on up there on those TV screens where we were allegedly seeing ourselves reflected back.”
—Anne Taylor Fleming (20th century)