Reception
The Great Escape was a major box office success on release and made a superstar of Steve McQueen. It became one of the highest grossing films of 1963, despite heavy competition and, in the years since its release, its audience has only broadened, cementing its status as a cinema classic. It was entered into the 3rd Moscow International Film Festival where McQueen won the Silver Prize for Best Actor.
Critical and public response was mostly enthusiastic. In 1963 New York Times critic Bosley Crowther wrote: "But for much longer than is artful or essential, The Great Escape grinds out its tormenting story without a peek beneath the surface of any man, without a real sense of human involvement. It's a strictly mechanical adventure with make-believe men." British film critic Leslie Halliwell described it as "pretty good but overlong POW adventure with a tragic ending". In Time magazine 1963: "The use of color photography is unnecessary and jarring, but little else is wrong with this film. With accurate casting, a swift screenplay, and authentic German settings, Producer-Director John Sturges has created classic cinema of action. There is no sermonizing, no soul probing, no sex. The Great Escape is simply great escapism".
The film has been regularly shown on British television, especially during periods such as Christmas. In a 2006 poll in the United Kingdom, regarding the family film that television viewers would most want to see on Christmas Day, The Great Escape came in third, and was first among the choices of male viewers.
In 2009, seven POWs returned to Stalag Luft III for the 65th anniversary of the escape and watched the film. According to the veterans, many details of the first half depicting life in the camp were authentic, e.g. the machine-gunning of Ives, who snaps and tries to scale the fence, and the actual digging of the tunnels.
Read more about this topic: The Great Escape (film)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)