Documenting The Grateful Dead Experience
"There is nothing like a Grateful Dead concert" was a saying popular among Deadheads, as the loyal fans of the band are known. During their performances, the Dead valued musical improvisation, jamming extensively, and they changed their set lists nightly. As a result, their music was best appreciated at live concerts. But beyond that, Dead shows generally had a positive, happy atmosphere, as the band and the audience interacted with each other to create a special environment of musical celebration. Capturing this phenomenon on film is the admittedly paradoxical goal of The Grateful Dead Movie.
To document the Grateful Dead experience, the film showcases the fans much more than is usual in a concert movie. Sometimes they are shown enjoying the show, and in other scenes they discuss the music and the band, and what it's like to be a Deadhead. The film also includes interviews with members of the Dead, and vintage footage from the early days of the band showing some of their colorful history. Also featured, especially at the beginning of the movie, are animated scenes of icons from Grateful Dead art such as the Uncle Sam skeleton. This psychedelic inspired animation was created by Gary Gutierrez, using some techniques that he developed specifically for this project. All these elements combine to make The Grateful Dead Movie much more than just a concert film.
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Famous quotes containing the words grateful, dead and/or experience:
“I have been grateful to you from the day you turned your attention to the follies and fanaticisms of religious sects. Against those fools and impostors you employ the most appropriate weapons: to use others would be to imitate them. It is by ridicule that they must be attacked, and by scorn that they must be punished.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“We all run on two clocks. One is the outside clock, which ticks away our decades and brings us ceaselessly to the dry season. The other is the inside clock, where you are your own timekeeper and determine your own chronology, your own internal weather and your own rate of living. Sometimes the inner clock runs itself out long before the outer one, and you see a dead man going through the motions of living.”
—Max Lerner (b. 1902)
“The experience of a sense of guilt for wrong-doing is necessary for the development of self-control. The guilt feelings will later serve as a warning signal which the child can produce himself when an impulse to repeat the naughty act comes over him. When the child can produce his on warning signals, independent of the actual presence of the adult, he is on the way to developing a conscience.”
—Selma H. Fraiberg (20th century)