The Ghost Busters - Episode Formula

Episode Formula

Each episode would always begin with Spencer and Tracy stopping at a convenience store to pick up the tape recording (recorded by co-executive producer Lou Scheimer) that explained their mission for the episode, in a parody of Mission: Impossible. It would be hidden inside a common object such as a bicycle, typewriter or painting. The message would always end by saying, "This message will self destruct in five seconds." It would then explode in Tracy's face for comic effect. Their investigation would take them to the same "old castle" on the outskirts of the city, and after a series of chases and pratfalls the Ghost Busters would corner the ghost (and his/her "sidekick"), which they would dispatch back to the afterlife with their Ghost Dematerializer.

The primary humor of the series was physical and slapstick, with scenes built around the characters' bumbling. The series also made references to classic cinema, despite the unlikelihood that the primary audience would recognize them. For example, the names "Spencer" and "Tracy" were taken from the famous actor Spencer Tracy. Guest stars included Ted Knight, Jim Backus, and Billy Barty.

Read more about this topic:  The Ghost Busters

Famous quotes containing the words episode and/or formula:

    The press is no substitute for institutions. It is like the beam of a searchlight that moves restlessly about, bringing one episode and then another out of darkness into vision. Men cannot do the work of the world by this light alone. They cannot govern society by episodes, incidents, and eruptions. It is only when they work by a steady light of their own, that the press, when it is turned upon them, reveals a situation intelligible enough for a popular decision.
    Walter Lippmann (1889–1974)

    Beauty, like all other qualities presented to human experience, is relative; and the definition of it becomes unmeaning and useless in proportion to its abstractness. To define beauty not in the most abstract, but in the most concrete terms possible, not to find a universal formula for it, but the formula which expresses most adequately this or that special manifestation of it, is the aim of the true student of aesthetics.
    Walter Pater (1839–1894)