Plot
The Friendly Persuasion has as its common theme linking the fourteen chapters (only two of which, "A Likely Exchange" and "First Day Finish" are otherwise connected) the effects of the Quaker religion on members of a family and their interaction with their neighbors. West uses rich descriptives of geography and setting to bring out the dignity and strength of her characters. However her stated purpose in telling their story is to present descriptions of "real life" and "reality" as she understands them, not to elucidate the religion, stating that the Birdwells are characters "who happened to be Quaker" rather than personifcations of Quaker traits.
Three stories ("Shivaree Before Breakfast," "Lead Her Like a Pigeon,"and "Homer and the Lilies") were based on recollections of West's mother from her own girlhood. Family stories about her great-grandfather were the source for three others ("Music on the Muscatatuck,"A Likely Exchange," and "First Day Finish"). Although not connected to the own family or Quakers, "The Pacing Goose" was based on an actual incident chronicled in a compendium of early Indiana court cases.
Read more about this topic: The Friendly Persuasion
Famous quotes containing the word plot:
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)