Release and Reception
The film premiered at the 1950 Venice Film Festival, where it was screened before a packed audience and often applauded in the middle of certain scenes. However, critics gave the film mostly poor reviews. Guido Aristarco said that it displayed a formalist and false reality. Pierre Laprohon said that "its most obvious fault is its lack of realism." Years after its release, Marcel Oms called it a "monument of stupidity." However, New York Times film critic Bosley Crowther praised it. On its initial release, the movie earned less than $13,000 in Italy.
Pier Paolo Pasolini said that it was "among the most beautiful in Italian cinema" and Andrew Sarris ranked it eighth on his ten-best film list. Francois Truffaut called it "the most beautiful film in the world."
Although somewhat poorly received at the time, the film is now recognized as a classic of world cinema. It has been released on DVD by The Criterion Collection and Masters of Cinema.
In 1995 the Vatican listed the film as one of the forty-five greatest films ever made.
Read more about this topic: The Flowers Of St. Francis
Famous quotes containing the words release and, release and/or reception:
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“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (1887–1965)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
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