Production
After writing (along with Keenan Ivory Wayans), producing, directing, and starring in his first film Hollywood Shuffle, Robert Townsend had attained near-cult status among independent filmmakers due to his dedication to that film—a project which caused him to max out all his credit cards and spend nearly $100,000 of his own money raised through savings and various acting jobs in order to produce the film. When writing Townsend's first feature-length film The Five Heartbeats, Townsend and Wayans kept comedy an important aspect of the film, but also explored complex characters in a more dramatic way. After extensive research with R&B singing group The Dells, who were renowned for their four-decade career, Townsend used his film to depict a similar story, following the lives of three friends who aspire to musical stardom. Given the setting of the film, he was able to tie in other elements, such as race relations, as well. Due to the production's budgetary constraints, Townsend used little-known actors of the time, with the exceptions of Leon Robinson, Diahann Carroll and Harold Nicholas of The Nicholas Brothers.
Read more about this topic: The Five Heartbeats
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)