Creation
After leaving Vengeance in 1992, Arjen began working on writing and recording some solo material, with his newfound creative freedom. Finding motivation to commercialize the new music from his record company, Arjen released his first solo album in 1993 under his middle name, Anthony, entitled Pools of Sorrow, Waves of Joy. The album lacked a musical direction, and became a heterogeneous mixture of styles and genres. While the album was not commercially successful, it formed the groundwork for the Ayreon project to come.
A number of albums from the 1960s and 70s featuring common stylistic threads made a lifelong impact on Arjen. The dynamic and exciting music, emotionally driven lyrics, and an ensemble cast found in albums such as Andrew Lloyd Webber's Jesus Christ Superstar and The Who's Tommy, commonly referred to as rock operas, inspired Arjen to create one of his own. Working in an environment where he could develop an album exactly as he wanted, Arjen intended to create his vision, making no compromises along the way. His vision manifested itself in The Final Experiment and, after being rejected by several different record labels, was picked up by a small Dutch record label. The project was financially burdensome, but through some subsidization from his father, it was seen through to completion, and was successful enough to warrant another Ayreon release.
Read more about this topic: The Final Experiment
Famous quotes containing the word creation:
“A fact is the end or last issue of spirit. The visible creation is the terminus or the circumference of the invisible world.”
—Ralph Waldo Emerson (1803–1882)
“Some collaboration has to take place in the mind between the woman and the man before the art of creation can be accomplished. Some marriage of opposites has to be consummated. The whole of the mind must lie wide open if we are to get the sense that the writer is communicating his experience with perfect fullness.”
—Virginia Woolf (1882–1941)
“One of the necessary qualifications of an efficient business man in these days of industrial literature seems to be the ability to write, in clear and idiomatic English, a 1,000-word story on how efficient he is and how he got that way.... It seems that the entire business world were devoting its working hours to the creation of a school of introspective literature.”
—Robert Benchley (1889–1945)