The Female Man - Structure and Format

Structure and Format

The novel is divided into nine parts, with each further divided into chapters. The sections of the novel are usually dedicated to one character’s perspective, but often the point-of-view changes between the four characters and skips from location and time. For example, part five begins in Jeannine’s world yet the narrative is through Joanna’s perspective. The novel never clearly indicates who is speaking and, as a result, often creates confusion in the narration. The novel does provide clues, however, so that the reader can infer the identity of the narrator.

Joanna, Janet, and Jael’s perspectives are expressed through the first person narrative, but they often refer to themselves in the third person while the narration is still through their point of view. Jeannine’s perspective is initially told solely through a third person narrative. Jeannine does eventually adopt a first person narrative, indicating her emerging doubt of her dependence on a man and her fate as a dutiful wife. Joanna recognizes that her own style of narration reflects a feminine quality. Joanna says, “I have no structure…my thoughts seep out shapelessly like menstrual fluid, it is all very female and deep and full of essences, it is very primitive and full of ‘and’s,’ it is called ‘run-on sentences’” (p. 137). Joanna also inserts common conversations in the form of a script that demonstrate her frustration with men’s ignorance of women. Janet often gives background history on Whileaway to provide insight on the nature of her world. Jael is slightly introduced in part two, signaled by an italicized text; however, her story begins in part eight with a repetition of the italicized chapter. The novel mostly focuses on Jael’s perspective until the end of the novel except for a few moments when the narrative is told through the other three’s point-of-view.