Plot
A young boy,Timmy Turner, has two fairy godparents, Cosmo and Wanda, who grant his every wish, inadvertently causing problems that Timmy must fix. In the beginning of the series, Timmy's babysitter Vicky was the main antagonist. As the series progressed, more villains were added. For example, his teacher, Mr. Crocker, firmly believes in fairy godparents and has been searching for them a very long time, suspecting that Timmy has fairy godparents. He is dangerous to Timmy because, according to "Da Rules", a large rulebook that defines what children can and cannot wish for and how fairy godparents must behave, nobody else can know about his fairy godparents, or else they will be taken away from him (although he doesn't remember, Cosmo and Wanda were once Crocker's fairy godparents, as the rule doesn't apply to people who currently have their own or once had fairy godparents). At his school, he is often bullied by Francis, a vicious boy who claims to be the toughest student in school, but reveals to Timmy that he only takes out his anger on him because of his rough home life and abusive parents, proving he is somewhere in-between as a protagonist and an antagonist. Jorgen Von Strangle, an enormous and tough fairy with an Austrian accent, often described like Arnold Schwarzenegger, personally dislikes Timmy and his fairies (although in "Teeth for Two" he states Cosmo and Wanda are his closest friends, claiming he punches many others). Timmy is also loathed by his unwished wishes, for wishing them out of existence. Well into the series, Timmy is introduced to his archenemy, Remy Buxaplenty. He is joined by his fairy and ex-boyfriend of Wanda, Juandisimo Magnifico. Remy is very jealous of Timmy for having two fairies while he only has one. He is also jealous of his loving parents. Remy's parents are constantly ignoring him, which led to him getting fairies. Juandisimo is constantly trying to woo Wanda, much to Cosmo's annoyance.
Read more about this topic: The Fairly OddParents
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)