Movie
The book was made into a movie entitled Konets Vechnosti (USSR, 1987). It broadly follows the novel, with the notable exception of the ending. The novel ends with Noÿs and Harlan mutually deciding that Eternity's suppression of spaceflight was not in the interest of humankind and then living "happily ever after". The Soviet-era film, however, ends very differently. The ending takes place in the mid-1980s Germany rather than 1932 Los Angeles, with Noÿs never fully describing why she wants Eternity destroyed (although in the middle of the movie, well before her true identity is revealed, she gives a shortened version of the explanation). Harlan yells at her that he was but a pawn in things, storms off, and there is a strong implication that he and Noÿs would not have any further contact. Following that, a scene shows Harlan observing both Twissell and Finge in 1980's clothing getting out of a Rolls Royce and walking together. The clear implication is that Twissel and Finge were using Harlan as a pawn to further their own materialistic gains. While out of step with the rest of the film as well as the novel, the ending does follow the Soviet concept that the "everyman" (Harlan) is frequently manipulated by the bourgeoisie as a pawn to the bourgeoisie's own ends. The movie ends with a long shot of Harlan walking away from the camera, alone, down a highway.
In 2008 New Regency acquired the rights to the novel for a possible film adaptation.
Read more about this topic: The End Of Eternity
Famous quotes containing the word movie:
“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”
—Joyce Carol Oates (b. 1938)
“The geometry of landscape and situation seems to create its own systems of time, the sense of a dynamic element which is cinematising the events of the canvas, translating a posture or ceremony into dynamic terms. The greatest movie of the 20th century is the Mona Lisa, just as the greatest novel is Gray’s Anatomy.”
—J.G. (James Graham)
“Your responsibility as a parent is not as great as you might imagine. You need not supply the world with the next conqueror of disease or a major movie star. If your child simply grows up to be someone who does not use the word “collectible” as a noun, you can consider yourself an unqualified success.”
—Fran Lebowitz (20th century)