Preparatory Studies
Raphael made numerous preparatory sketches or drafts as his idea for the composition evolved (several are on Wikimedia Commons - see link below). He started with the subject of a Lamentation over the dead Christ, similar to the famous painting of the same name by his teacher Pietro Perugino. He moved from that idea to an Entombment of Christ, perhaps inspired by an ancient Roman sarcophagus relief of Meleager from Greek mythology, Michelangelo’s Entombment or the print of the Entombment by Mantegna. Looking through his studies, we can see that this long period of evolution gave Raphael the opportunity to put into practice much of the new style and techniques he had been developing from his studies of Renaissance masters Leonardo da Vinci and Michelangelo as well as others artists of the period. The two design phases may broadly be labeled ‘Perugian’ and ‘Florentine’. The significant change of subject from a Lamentation to an Entombment affected the character of the painting on the whole because it changed from a more iconic Pietà to a subject with more narrative interest.
Read more about this topic: The Deposition (Raphael)
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