In Popular Culture
- The 1970s Pop Chronicles audio documentary includes an excerpt dramatically read by Thom Beck in Show 44, "Revolt of the Fat Angel: Some samples of the Los Angeles sound."
- The 1982 song "Call of the West" by the Los Angeles new wave band Wall of Voodoo—which "follows some Middle American sad sack as he chases a vague and hopeless dream in California"—has been described as being "as close as pop music has gotten to capturing the bitter chaos of the final chapter of Nathanael West's The Day of the Locust".
- It has been assumed that The Simpsons (1989) creator Matt Groening named his most famous character, Homer Simpson, after his own father, however, in several interviews given in 1990, Groening reportedly stated that he named the character after the Homer in this novel, although neither explanation is considered definitive.
- The novel is mentioned in the comic book series Y the Last Man (2002-2008), whose main character describes it as "the greatest novel of all time".
- The 2009 song "Peeled Apples" from the Journal for Plague Lovers album by the Welsh band Manic Street Preachers includes the line referencing one of the novel's characters: "a dwarf takes his cockerel out on a cockfight."
Read more about this topic: The Day Of The Locust
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“The press is no substitute for institutions. It is like the beam of a searchlight that moves restlessly about, bringing one episode and then another out of darkness into vision. Men cannot do the work of the world by this light alone. They cannot govern society by episodes, incidents, and eruptions. It is only when they work by a steady light of their own, that the press, when it is turned upon them, reveals a situation intelligible enough for a popular decision.”
—Walter Lippmann (18891974)
“To be a Negro is to participate in a culture of poverty and fear that goes far deeper than any law for or against discrimination.... After the racist statutes are all struck down, after legal equality has been achieved in the schools and in the courts, there remains the profound institutionalized and abiding wrong that white America has worked on the Negro for so long.”
—Michael Harrington (19281989)