Composition
Zimmer originally said the main Batman theme was purposely introduced at the end of Batman Begins, and would be fleshed out in the sequel as the character develops. Zimmer and Howard both believed that creating a heroic theme that a viewer could hum would ignore the complexity and darkness of the character. The Batman theme (audible twice early in the film, once towards the end and a final time at the beginning of the end credits) creates what Zimmer described as a "red herring", a kind of musical foreshadowing, which was played by a cello.
The nine-minute suite for the Joker ("Why So Serious") was based around two notes played by Electric cello, solo violin, guitars and a string section. Zimmer compared its style to the band Kraftwerk, who come from his native Germany, as well as his work with bands like The Damned. Throughout the piece, Zimmer used razor blades on string instruments to achieve the tortured, twisted sound to accompany the character on the screen. When Ledger died, Zimmer stated that he felt like scrapping his original material and composing a new theme, but decided that to do so would compromise the "evil projects". James Newton Howard composed the "elegant and beautiful" themes for Harvey Dent/Two-Face, to work as an aural contrast.
The heroic brass theme which plays when Batman leaves Ra's al Ghul to die in Batman Begins makes a reappearance when Batman hurls the Joker off the building in the film's climax. It also makes its third and final appearance in "The Dark Knight Rises" when Batman fires a missile at Miranda Tate, while her truck driver was killed, sending her and the truck to a crashing halt. The cue was released on the two-disc special edition, and can be found on the track "We Are Tonight's Entertainment". The second disc can also be found for digital download under the album name The Dark Knight (Bonus Digital Release) with artwork featuring the Joker instead of Batman.
Read more about this topic: The Dark Knight (soundtrack)
Famous quotes containing the word composition:
“Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (1899–1977)
“At painful times, when composition is impossible and reading is not enough, grammars and dictionaries are excellent for distraction.”
—Elizabeth Barrett Browning (1806–1861)
“When I think of God, when I think of him as existent, and when I believe him to be existent, my idea of him neither increases nor diminishes. But as it is certain there is a great difference betwixt the simple conception of the existence of an object, and the belief of it, and as this difference lies not in the parts or composition of the idea which we conceive; it follows, that it must lie in the manner in which we conceive it.”
—David Hume (1711–1776)