Literary Significance and Criticism
The book was a huge commercial success, quickly going through two editions. Reviews were favourable, but not all so. In an unsigned piece in The Times the reviewer opined, "We owe it to literature to protest against this last production of Mr. Dickens Shades of Fielding and Scott! Is it for such jargon as this that we have given your throne to one who cannot estimate his eminence?" However, William Makepeace Thackeray enjoyed the book immensely: "To us, it appears it is a good Christmas book, illuminated with extra gas, crammed with extra bonbons, French plums and sweetness This story is no more a real story than Peerybingle is a real name!"
Dickens portrayal of the blind girl Bertha is significant. Victorians believed disabilities were inherited, and thus it was not socially acceptable for the blind to marry (although they often did in reality). In fiction courtship plots, the blind were often used to build tension since it was assumed they must be kept from marrying. The fictional portrayal of Bertha is similar to Dickens' description in American Notes (1842) of the deaf and blind girl Laura Bridgman, whom he saw on a visit to the Perkins Institution for the Blind in Boston, Massachusetts.
Modern scholars have given the story little attention, but Andrew Sangers has argued it contains similarities to Shakespeare's comedies and should be seen "both as a significant indication of the tastes of the 1840s and of Dickens himself."
The identity of the narrator is left to the reader, though possibilities include Bertha Plummer, the blind daughter of Caleb Plummer, and the baby, fully grown and returned to his childhood home. The narration is decidedly masculine, lending more credit to the latter.
Read more about this topic: The Cricket On The Hearth
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