Production
The filming locations included Gare d'Orsay and Paris, France; Sant' Angelo Bridge and the Colosseum, both in Rome.
According to the documentary Visions of Light the film is widely praised as a visual masterpiece. It was photographed by Vittorio Storaro, who used rich colors, authentic wardrobe of the 1930s, and a series of unusual camera angles and fluid camera movement. Film critic and author Robin Buss writes that the cinematography suggests Clerici's inability to conform with "normal" reality: the reality of the time is "abnormal." Also, Bertolucci's cinematic style synthesizes expressionism and "fascist" film aesthetics. Its style has been compared with classic German films of the 1920s and 1930s, such as in Leni Riefenstahl's Triumph of the Will and Fritz Lang's Metropolis.
The drama was influential to other filmmakers: the image of blowing leaves in The Conformist, for example, influenced a very similar scene in The Godfather, Part II (1974) by Francis Ford Coppola.
Read more about this topic: The Conformist (film)
Famous quotes containing the word production:
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)