The Cold Six Thousand - Plot

Plot

The story begins on November 22, 1963, in Dallas, minutes after the John F. Kennedy assassination, and continues for roughly five years. Ward Littell, former Federal Bureau of Investigation agent turned high-powered Mafia lawyer, arrives in Dallas with J. Edgar Hoover's blessing to "manage" the investigation and ensure a consensus: Lee Harvey Oswald acted alone. Pete Bondurant, who Littell once arrested but is now an uneasy friend and partner, is a veteran of the Central Intelligence Agency's war against Fidel Castro and now the point-man for the Mafia's Las Vegas operations. Wayne Tedrow, Jr., a US Army veteran and Las Vegas Police Department officer, is paid six thousand dollars to fly to Dallas and murder a black pimp who has offended the casinos, and is thus thrust into the assassination's aftermath. As the tension over race relations and the Vietnam War builds and explodes throughout the decade, all three become involved in plots to kill Martin Luther King, Jr. and Robert F. Kennedy.

Read more about this topic:  The Cold Six Thousand

Famous quotes containing the word plot:

    Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.
    Ralph Waldo Emerson (1803–1882)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)